The Village Mod (
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villagememes2020-09-05 09:07 pm
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test drive — autumn

test drive — autumn
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Welcome to the test drive and thank you for your interest in The Village. This test drive is not game canon but will allow players the opportunity to experiment with game mechanics, the setting, and the flexibility of choice allowed by this game. The following prompts are examples of typical situations characters might face in the game. At least one thread from the TDM is required as part of the game's application process.
Since not all setting details have been made available yet, you are welcome to invent your own general locations for this test drive. There are no living souls in Mathias Township beyond the player characters. In fact, there are no signs of life at all... We hope you enjoy your visit.
— the fog —
It moves in quickly and without warning, not from the waterfront but the forest, cascading through every street in a thick wave of white. The fog is not a soft blanket enveloping the town, but a heavy weight pressing down, threatening to suffocate the sky is blotted out and you can see no further than your outstretched hand.
Those outside when it rolls in are left wandering blind, stumbling toward shelter as you're unable to even see your feet beneath you, let alone any obstacles in your path. Perhaps you call out for help, hoping for another voice to guide you toward shelter or simply another living soul. Or perhaps you were lucky enough to already be inside when the fog descended, quickly closing doors and windows to keep it from creeping in. Can you hear those voices crying out? You recognize some, but the others... Are they really there at all, or are you alone here and simply beginning to finally lose your mind?
And perhaps the most important question: Do you answer?
— portents —
You wake up with an ache in your head and a cloudiness to your thoughts, your body sprawled on the ground in a location you don't remember going to. As you sit up, the world spins and start to clutch your head — to realize there's something on your hand. A symbol, a word, a streak of wet paint or ink. You don't recognize it or have any memory of how it got there...
Or how the much larger depiction came to be on the wall or the floor around them. You can see it shining wet in the glow of whatever light source is nearest, but something instinctual urges you not to touch it. If you defy that urge, it burns, a searing pain that radiates from the matching mark on your hand.
Did you do this? Or was it done to you? The person approaching may have answers — or accusations.
— past deeds —
The Town Hall stands at the center of Mathias Township, a modest two-story building that would be welcoming if not for the faded sign, chipped paint, and deafening silence. It's a typical government building, with a reception desk at the front and rows of identical offices within, the names half faded from each door. But what catches your attention is a large bulletin board on the main wall, once meant to hold flyers or announcements for the community.
What it holds now is decidedly different. Tacked onto the board is a torn scrap of paper with words scrawled almost illegibly in dark red ink.
Upon close examination, a keen eye will realize that the ink is actually blood, though whether it is human is unknown. And beside that scrap, a symbol has been drawn in dark black marker — it resembles a feather or a branch, but you've never seen anything like it before. It scares you even as you know it is perhaps the most important thing you have ever seen in your life.
On the floor below the bulletin board are more scraps of paper scattered amongst grime and dust, most blank but some with other strange symbols scrawled in a variety of inks, perhaps matching the pens and markers scattered near the baseboard. Some are small enough that they might have once been part of the same page, creating something larger. And to the far side, a pristine stack of crisp white copy paper and an unopened box of ballpoint pens.
What do you do?
Leonard McCoy - ST:AOS
Whispered conversations too quiet to fully understand lead him down empty streets. The discord is pierced at irregular intervals by sounds he's absolutely sure are unrelated. A young girl's giggling. A high pitched scream that stabs at his eardrums. Water rushing, but not the waves of the ocean. Concentrating on tracking what he can almost hear means he's failed to recognize what he doesn't hear, the common sounds that filter into the background. Here there is no background. No insects. No animals. No rustling of the trees. No wind assailing him.
The fog engulfs him from behind, a prickly sensation that makes the hair on the back of his neck stand immediately on end. He pivots, startled by the suddenness of it, and is greeted by white. An unending sea of clouds that reaches around and through him, having no respect for boundaries or the physicality of matter. What should be wonderous is instead a cage without bars. He squints and turns, disoriented, trying to find his path. Any path.
"DADDYYYYYYYY!"
His daughter's frightened cry is neither ahead nor behind, everywhere present all at once. His eyes fly wide but his feet take him nowhere. Which direction does he travel?
"Joanna!" he calls back. Only to receive no answer.
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But then, finally—
"Hello?" she calls out for what feels like the thousandth time, but that last voice had been so close. Joanna, and with such emotion in that single cry... "Can you hear me?"
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The fog is so dense even at a foot apart, her features are dull and distant.
Leonard's eyes are still wide. Like a madman, suddenly materializing. If she can see him at all.
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"Hey, it's okay. You're okay," she assures him forcefully, projecting the confidence of someone used to being in charge. She peers up at him through the fog, stepping closer so she can see the look in his eyes a little more clearly. They're closer than two strangers would ever normally be, but these aren't normal times.
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"She's here."
His whole body is a live wire, his fingers antsy at her upper arms. At any moment, they could slip away. At any moment, their connection could be lost. If they part from each other now, the fog will swallow them once again.
"Joanna!" he yells a second time, louder, hoping his voice will reach her. Wherever she is.
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"Hey," she tries again, louder and with more force. "I promise you, we will find her, but I need you to focus for a minute, okay?"
If he's this out of it with her standing right in front of him, there's no telling what state he might end up in if he keeps wandering out here on his own. Daisy's not about to find out, either.
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"Where the hell are we?"
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"No clue," she admits, hating her lack of answers with a passion. She's a spy, information is her job and she's failing miserably at it. "I just woke up here a few hours ago. I was searching for my team when this fog came out of nowhere. You?"
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Her story isn't all that different from his. Waking up alone and in an inexplicable location, the rest of the landing party absent. Searching with no success. "The same," he hates to confirm.
It's only now that he takes his first serious look at her features. Those that aren't distanced by the mist. Her voice may be strong but she looks like she's been through the ringer. "Leonard McCoy."
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"Daisy Johnson," she replies, grateful that he seems to be resisting the siren call of those voices that she can still hear in the distance. Still none of them sound like her team, so she focuses on McCoy instead. "Where were you before you woke up here?"
Maybe they'll find something else in common that will give them some answers.
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He doesn't recall retreating or being hit, nothing that could possibly explain his abrupt waking in a radically different environment. Is he even still on the same planet? The time of day, the types of tree in the surroundings, the buildings, the temperature, the coastal location. Every detail is incongruous. Maybe he's dreaming. Or in a coma. The fog might be a symbolic figment of his imagination and the voices those of the people around him. His mind runs wild with all the possibilities, the scientist looking for clues to unanswered questions.
"What about you?"
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"Earth," she answers with only a few seconds of hesitation. And then, because why not if this guy's apparently used to things like space travel: "1983... I think."
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A hard edge invades his sarcasm, a product of their stressful situation. Are they not only out of place but both out of step with time? Why are they in this nowhere town, seeing shadows and hearing voices, going nowhere fast? He doesn't believe for a second that she is in anyway responsible for their predicament but she doesn't seem to have any more information than he does. Both clueless and... trapped. At least they're not alone anymore. A small blessing.
"Are you from Earth?"
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"Yes, I'm Terran," she answers automatically for what feels like the hundredth time in the last year, assuming he's asking because he's not. Terrans weren't seen much off-world so she'd gotten pretty used to this song and dance over the many months of planet-hopping to find Fitz. Even his southern accent doesn't sway that assumption; you'd be surprised how many people sound like that out in the nearest five galaxies or so.
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"Seems we have something in common, then."
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"Do you know what year it was on Earth?"
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"2264."
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And thankfully he'd never know that future, or past, as it were. They'd managed to break the loop and save the world. As many nightmares as she still has about those awful weeks, it never stops being reassuring to remember that humanity won't be enslaved by Kree, with Inhumans forced to fight for the entertainment of other species. There are few comforts in her life but that is most certainly one of them.
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His desire to remain in their current location is dwindling by the moment. One of his hands falls away. The other ghosts down her sleeve to her wrist. Unknowingly right above where she's recently been injured.
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Daisy pulls her arm away when his hand reaches her wrist, frowning at the ache the movement produces. Her skin might have healed in the chamber but the bruising beneath was deep and still tender at the slightest touch. "Right," she agrees with a firm nod. "We should keep moving, see if can find our people."
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"I don't know my left from my right in this goddamn mess. We should find some shelter and let it pass through. Otherwise we're gunna run ourselves in circles."
If it passes through...