The Village Mod (
villagemod) wrote in
villagememes2021-03-08 05:08 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Entry tags:
test drive — spring

SPRING TEST DRIVE
Welcome to the test drive and thank you for your interest in The Village. This test drive is not game canon but will allow players the opportunity to experiment with game mechanics, the setting, and the flexibility of choice allowed by this game. The following prompts are examples of typical situations characters might face in the game. At least one thread from the TDM is required as part of the game's application process.
Prospective players are welcome to play with any of the established locations within Mathias.( Recommended listening: ♫ )
GHOSTS OF THE LIVING
The fog moves in quickly and without warning, not from the waterfront but the forest, cascading through every street in a thick wave of white. It is not a soft blanket enveloping the town, but a heavy weight pressing down, threatening to suffocate as the sky is blotted out and no one can see more than ten feet in any direction.
Those who are outside when it rolls in are left wandering blind, hoping that a randomly chosen direction will lead them to shelter or another living soul. There are perhaps even those who were lucky enough to already be inside when the fog descended, quickly closing doors and windows to keep it from creeping in. Wherever they are, the residents of Mathias will soon notice that they are not the only ones in the fog.
Anyone out in the fog is left disoriented, possibly losing their sense of time and place, and it is only after prolonged exposure that they will begin to feel off. A sense of being ill will cling to them if they are in the fog for too long, including dizziness, lightheadedness, or nausea — the time it takes to manifest varies from person to person, as does the duration it will last after leaving the fog.
With all of these elements at play, the first strange apparitions encountered may be assumed to be figments of addled minds, tricks played by psyches struggling to cope with the strange reality they've found themselves in. But before long, there will be no denying that the Others in the fog are real. Appearing almost wraithlike and startlingly recognizable, these figures even feel a bit like ghosts to those who can sense such things, though everyone will feel that there is something wrong about them. Truly, there are many things wrong that residents will begin to notice as they encounter more and more of the spectres that do not acknowledge their presence in any way. They simply exist, silent and subtly terrifying like so many things in this town.
Like misty ghosts of those who have been in the town at one point or another, the Others appear as those who have died or disappeared and even those currently within the town. The likeness is truly uncanny, to the point of being completely terrifying, made even more so when they realize there is no way to communicate with the Others. They do not acknowledge anyone's presence nor anything said to them. At times, they may be only one in an area, or there may be a dozen existing in the same space. There is no limit to how many people can see them — if they are there, they are seen by all.
The Others do not enter buildings and cannot be contained in any way. They can appear at one moment and be gone in the next, or they can exist in one place for hours on end. Whether standing stationary or slowly wandering throughout the town, there is no discernible purpose to them. There is something absent and distant in the way they hold themselves, the way they walk, and their expressions, as if even they cannot grasp what is happening.
A BIT OF EXPLORATION
There are plenty of places in which to get one's bearings and hide from the fog.
There are businesses on the square, nestled around and extending out from the Town Hall. There is a schoolhouse nestled by the southern treeline, not from the rather expansive makeshift cemetery at the end of Jackson Boulevard that is courtesy of a few kind residents in town. To the far north of the square is a sprawling garden, now covered in snow, and a greenhouse that once supplied the botanical shop. And to the east and west, beyond the business square, is are residential districts.
The eastern district sprawls all the way to the beach, with some houses in perfect condition and others beginning to show significant signs of age. The western district, however, is nothing but decay. From the beginnings of rot to completely collapsed and little more than a pile of proverbial bones, none of these homes are anything resembling livable. Well, as far as one can tell, at least. For between the streets of Hill Lane and Stine Road there is a crack in the earth. A dozen feet across and fifty feet down, there is no way across.
TO SEE AND BE SEEN
Standing at the center of Mathias, the Town Hall is a modest two-story building that would be welcoming if not for the faded sign, chipped paint, and deafening silence within its empty halls. It's a typical government building, with a reception desk at the front and rows of identical offices within, the names half faded from each door. But what catches the attention is a large bulletin board on the main wall beside the reception desk, once meant to hold flyers or announcements for the community.
What it holds now is decidedly different. Covering the board are tacked-on scraps of paper covered in an assortment of handwriting styles — requests for supplies should anyone find them, pieces of information shared in the hopes of someone understanding the strange symbols and mathematical equations, notes about those missing or recently deceased. And painted directly across the center of the board, visible in the gaps between the pieces of paper, is a symbol in dark red. While peering at that obscured symbol, a strange breeze ruffles the papers, revealing a little more, just enough to—
An eye. A strange, ornate eye with three lobes, painted in still-wet red. And upon close examination, a keen eye will realize that the paint is actually blood, perhaps even human.
The longer someone stands there, the more it will feel like they are being watched, even studied, with great interest. It's a sensation that lingers and stays with them even when they exit the building.
no subject
She's not going to correct this woman about her age, though. For once someone's shooting for the high end instead of the low one. "You look new."
no subject
"I am. Got here this morning, or I think it was this morning. As luck would have it -- and I have absolutely terrible luck -- didn't arrive the usual way." she says, pulling out the next drawer to take a cursory glance and plucks out a pad of paper.
Wynonna turns back to Athena. "Where is here anyway? Couldn't make out the Welcome To sign."
no subject
As far as she knows, there is no usual way to this place. But that could just be because she doesn't know shit yet. "Uh, Mathias. You know a derelict ghost town is bad news when it's got a Jesus-name."
no subject
She angles her head right then left as she catches something in between the pieces of paper, only to realize they were back and forth notes from husband and wife. Since there was nothing there she tosses it back into the drawer before letting out a snort.
"It's definitely way better than calling a town Purgatory," Wynonna leans back against the counter and crosses her arms over her chest. "Can't say as I recognize the name though."
Gesturing towards Athena with a jut of her chin, she asks. "So, where are you from?"
no subject
There's a note of irony in her voice when she asks the question. It's hard not to feel a little bit like this woman, whoever she is, is in the middle of a satire. "I'm Athena, most recently of Virginia, outside of DC."
She doesn't bother to give the name of the town--more people recognize DC than ever do where she actually lives. "What's your name?"
no subject
"That they did, and it definitely not what you'd expect if you know anything about the Big Book's version of it. But it's home," she explained, ending it with sarcasm and a roll of her eyes.
Oh, she knows why she went back. Damn the Earp Curse. Damn it to Hell.
"Wynonna Earp," she returns. "And yes, that Earp."
After a quick pause and a look over her shoulder, she turns back to Athena.
"So, how many of these house you check already and did you find anything?"
no subject
A pause. "Cow....people."
She shakes her head. "Uh, a lot of them. I started making a map and crossing off the ones I've hit, but it's with one of my stashes."
no subject
Wynonna eyes the girl again before pushing herself up off the counter to step a little closer.
"Just how many are there anyway?"
Yes, she wants to hear one name in particular.
no subject
She fidgets one-handed with the edge of her hoodie, the garment looking a little the worse for wear with several days of damp weather and no washing. "There's Raylan and Doc Henry and the half is Tim, he's got the accent and the swagger but not the hat."
no subject
She shoves a hand out to stop her. "Back up. Doc Henry, do you mean Holliday? Doc Holliday?"
no subject
no subject
"Big thick moustache, talks a little like this..." Wynonna slips into a not-too-bad impression of him before looking at the younger woman expectantly.
no subject
no subject
Wynonna regards the young girl.
"Is that not a thing that usually happens?"